Entertainment

Indonesian Remake of The Invisible Guest Reaches HBO Max After a Long Wait

Jonah VillalbaPublished 2m ago2 min readBased on 2 sources
Indonesian Remake of The Invisible Guest Reaches HBO Max After a Long Wait
Photo by Rendy Novantino on Unsplash

Danial Rifki's Indonesian remake of the Spanish thriller The Invisible Guest has reached streaming, more than a year after it was finished. The film debuted on HBO Max on 7 August, according to Variety.

Rifki completed the film in 2023. Its release was then held up by exclusivity clauses with HBO, the contract terms that decide which company can show a title and when. Those terms, not the film's readiness, set the calendar for the next two years.

The remake reworks Oriol Paulo's 2016 Spanish thriller Contratiempo, which reached English-speaking audiences as The Invisible Guest. Rifki moves the story to an Indonesian setting. Falcon Pictures produced it, and Reza Rahadian, Mawar de Jongh and Arifin Putra star.

Before the streaming debut, the film screened at Jakarta World Cinema. The festival's listing describes it as the story of a young businessman accused of murdering his lover, who hires a brilliant lawyer with three hours to uncover what happened. The clock is part of the pitch, and the festival used it to sell the film to local audiences.

Rifki also had three films at the same festival. One is Tua Tua Keladi, a romantic comedy. Another is Sandal Jepit No. 10, a thriller set almost entirely in one room. It follows the police interrogation of Akbar, a grieving father held on suspicion of murder. Rifki's work moves from comedy to tight-space suspense, and the festival programme gave it a single showcase.

His next film, Before Thirty, is set for release in January 2027, according to the same Variety report. That places his work on screens again within a few months of the HBO Max debut.

For viewers, the practical point is simple. The remake is now available on HBO Max, and the festival titles are the next place to look for Rifki's range. The gap between a film's completion and its arrival on screens is common in the business, and this one shows how a contract can set the timing as much as the edit does.