Politics

Drama teachers say leaving backstage skills out of new NCEA subjects cuts a training pathway

Hana SinclairPublished 3h ago4 min readBased on 8 sources
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Drama teachers say leaving backstage skills out of new NCEA subjects cuts a training pathway
source:govt.nz

Whakaari Aotearoa Drama New Zealand says the government made a mistake by leaving creative arts technologies off its list of nine new industry-led secondary school subjects, arguing the omission cuts a training pathway into film, television and live performance sectors facing critical skill shortages.

The government announced the nine new subjects on 5 August, saying they would be developed by industry skills boards to give Years 12 and 13 students clearer pathways to further training and employment (RNZ). Three days later, Whakaari Aotearoa went public with its concern that the list contained no subject covering backstage and technical production skills such as lighting, sound, staging, costume and set design (RNZ).

Whakaari Aotearoa president Annette Thomson said the gap is not academic. Under the current NCEA framework, secondary students can earn credits toward their qualification for backstage roles in school productions — operating lighting desks, running sound, building sets. That will not be possible under the new subject-based qualifications being introduced at NCEA Levels 2 and 3, because students will have to study entire subjects, and no subject on the new list covers those skills. NCEA Level 1 changes took effect from 2024, with new achievement standards at Levels 2 and 3 scheduled to be in place by 2028 and 2029 respectively (NCEA Education).

The shift matters because of how NCEA is changing. The current system is standards-based: students build up credits from individual assessment events, some quite small. A student who helps run lighting for a school musical, for example, can earn credits for that specific skill. The new system moves to a subject-based structure, where students study whole subjects. That means a skill like backstage production needs a dedicated subject to remain available. If no subject exists, the pathway closes.

Thomson said the omission directly endangers the government's own target of growing the creative sector's economic contribution to $22 billion a year by 2030. You cannot meet that target, she argued, while cutting off the pipeline of technicians who make the sector function.

Whakaari Aotearoa is calling for two specific remedies: the creation of an Event and Entertainment Technology subject, and a distinct Creative Industries Pathway covering technical production, design, arts management and digital media. The organisation wants both incorporated into the senior secondary framework before the new qualifications are finalised.

The new NCEA subject-based qualifications are designed to be easier to understand, more credible and internationally comparable, and aligned with other standards, according to the NCEA Education website (NCEA Education). The Ministry of Education's Budget 2026 page, "Investing in secondary achievement," describes events that give students hands-on real-world creative experiences across live performance, digital media and visual arts (Ministry of Education). The NCEA Education website also confirms that new industry-led subjects for senior secondary students were announced on 6 August, and that a third group of senior secondary subjects was opened for public feedback in July.

The pushback from Whakaari Aotearoa is the second round of criticism the new subjects have drawn in a week. On 6 August, RNZ reported that the teachers' union had warned the timeline for implementing the new subjects was "unrealistic" (RNZ).

The broader context here is a qualifications redesign that is well underway but still taking shape. The shift from a standards-based NCEA model to a subject-based structure means the menu of subjects on offer carries real consequences. Skills that currently sit inside flexible credit-earning arrangements, like backstage production work attached to a school show, need a dedicated subject to survive in the new system. If no subject exists, the pathway closes. That is the mechanical problem Whakaari Aotearoa is pointing to, and it is one the Ministry of Education will need to address before Levels 2 and 3 standards are locked in for 2028 and 2029.

The creative sector's skill shortages are not a new complaint from industry bodies, but the direct link Thomson draws between a curriculum design decision and the $22 billion economic target puts the omission in a specific policy frame. The government has set a measurable economic goal for the sector; Whakaari Aotearoa is arguing that the senior secondary qualifications reform, as currently structured, works against it.