Entertainment

Inside Microdramas: The First Upfront for Vertical Entertainment Hits Singapore in October

Putri ArdhanaPublished 2d ago4 min readBased on 7 sources
Inside Microdramas: The First Upfront for Vertical Entertainment Hits Singapore in October
Photo by Basile Morin / CC BY-SA 4.0

Three companies are staging what they call the first upfront event dedicated to microdramas — the short, serialized, phone-first stories that have exploded across mobile screens in Asia and beyond. COL Group, Virtue Asia and V47 Entertainment will hold Inside Microdramas in Singapore on 27 October, bringing brands, platforms and creators into one room to talk about a format most viewers have never heard of by name but have probably already scrolled past (Variety).

An upfront, for anyone who has not sat through one, is the kind of advance sales event where networks traditionally pitch their upcoming shows to advertisers. This one is built around a format so new that the organisers are drawing a line between two terms. "Microdrama" refers to short-form, serialized storytelling. "Vertical entertainment" is the broader umbrella: scripted series, reality, creator-driven content, interactive narratives, commerce tie-ins and branded intellectual property, all shaped for mobile viewing (Variety).

The event runs under the theme "Inside the Business, Culture and Future of Entertainment's Fastest-Growing Format" and mixes panel discussions, brand viewpoints, cross-sector debate, project previews and one-on-one partnership meetings (Variety).

COL Group opens the programme with a session called "The New Rules of Attention," examining how microdramas are pushing studios, platforms and creators toward new thinking on how stories are made, distributed and watched as mobile becomes the primary screen. Timothy Oh, general manager, international, at COL Group, leads a company that builds digital entertainment and technology products, including the FlareFlow vertical drama app. COL Group is headquartered in Singapore and Los Angeles (Variety; World Screen).

Virtue Asia, a strategic and creative agency whose clients include Disney, Google, Spotify, Toyota, Diageo and Shiseido, will present "Why Brands Need Entertainment, Not More Content." The session explores how brands can move from advertising around culture to actively creating stories and characters audiences follow. David Webster chairs V47 Entertainment, which will host a cross-industry panel titled "Are Brands Becoming the New Studios?" bringing together brands, platforms, production and entertainment representatives (Variety).

The centrepiece is "First Look: The 2027 Slate," giving a first glimpse at creator-led intellectual property and original vertical entertainment concepts from COL Group and V47 Entertainment. Some 10 projects will be shown to prospective brand partners for possible development and production, which means companies can get involved before projects are fully financed or produced. Invited guests will also join dedicated Greenlight Sessions to discuss commissions, financing, distribution and co-development directly with project teams (Variety).

The three companies have been building toward this moment since mid-2026. In June, COL Group, Virtue Asia and V47 Entertainment announced a partnership to bring brand-funded microdramas to six Southeast Asian markets, with V47 developing, packaging and distributing branded content across microdrama, vertical video and mobile-first formats (Variety; Branding in Asia). V47 Entertainment launched in late 2025 as a joint venture between Virtue Asia and Goldfinch International, the international growth arm of the U.K.'s Goldfinch Group, which has backed more than 200 film and TV projects with $300 million (Campaign Brief Asia; Variety).

A day before the Inside Microdramas announcement, COL Group sealed a separate broad vertical video and microdrama alliance with Thailand's CP Group, with a remakes initiative scheduled to kick off at ContentAsia Live 2026 (ContentAsia).

What makes Inside Microdramas stand out is the structure. Brand partners are being invited in at the slate stage, not after a show is finished and ready to air. Ten projects, a dedicated greenlight room, and a pitch that brands should be making entertainment rather than buying ads around it. Whether that pitch lands will show up in what gets commissioned — and what does not.