Future builds singing robot in black-and-white 'Build a Bitch' video

Future has released a black-and-white video for “Build a Bitch” that ends with a promise of more to come.
The video is the official visual for the track, which is a single from his album The Real Me. A single is a song released on its own to draw attention to a larger album. The release was reported on 6 October 2026, with direction credited to Cole Bennett, Rolling Stone reported. The director is the person who shapes how the song appears on screen, guiding performance and camera.
Lyrical Lemonade presents the clip, which has been posted to YouTube. The company is named as the presenter on the official upload. An official music video is the main visual issued with the artist’s team, rather than a fan edit or live clip.
The shoot took place in Miami. The entire video is filmed in black-and-white, with no colour footage in the cut. The look is stark. Light and shadow do the heavy lifting.
The central sequence shows Future building an animatronic endoskeleton. An endoskeleton is the inner mechanical frame, with animatronics meaning it is built to move. He works on the figure through the video. Once complete, the creation joins him to harmonise on the chorus. The chorus is the repeated section most listeners remember, and here it is shared between human and machine.
Short lines land the idea. It is a duet, but the second singer is a machine. The two perform the chorus together on screen.
The video does not end with a clean finish. Instead, the words “TO BE CONTINUED” appear on screen before the picture cuts out. What makes this stand out is that closing card. It frames the Miami build as one chapter rather than a closed story.
For fans, this means there is a second watch waiting. Lyrical Lemonade TV has posted a behind-the-scenes video for the same shoot. That upload is presented as a look at the making of the Miami video. Behind-the-scenes videos of this kind usually show the set, the crew at work and how effects shots are put together. It gives viewers who only see the finished cut a sense of the labour behind it.


