Entertainment

Jon Stewart Uses Nathan Fielder's Elizabeth Holmes Documentary to Troll Trump and 'the Human Printer'

Putri ArdhanaPublished 6d ago3 min readBased on 2 sources
Jon Stewart Uses Nathan Fielder's Elizabeth Holmes Documentary to Troll Trump and 'the Human Printer'
Photo by White House / Public domain

Jon Stewart returned to The Daily Show desk on a Tuesday night and turned a trailer for Nathan Fielder's Elizabeth Holmes documentary into a pointed jab at President Donald Trump and his aide Natalie Harp, nicknamed "the human printer."(Variety)

The documentary, You Can See Everything, comes from Fielder and co-director Lance Oppenheim. It debuted at the Telluride Film Festival at a secret screening and follows Fielder and a reluctant camera crew as they capture Holmes in her home in the weeks before she reports to prison. Holmes was sentenced to more than 11 years in jail in 2022 for defrauding investors through her blood-testing startup, Theranos.(Variety)

Stewart's monologue attacked Trump for living in what he called a "reality distortion field" — rejecting the views of experts and journalists in favour of his own outlook. To make the point, The Daily Show cut to the You Can See Everything trailer with Trump's face superimposed over Fielder's.(Variety)

The segment's sharpest target was Harp, a Trump staffer who follows the president everywhere with a laptop and printer, feeding him a steady stream of positive news stories. That habit earned her the nickname "the human printer." CNN, as Stewart noted on air, once reported that Harp jumped into the trunk of an SUV to ensure she could be with Trump for a court appearance. A TMZ sound bite surfaced in the segment showing that Harp wrote Trump letters that could only be described as love letters.(Variety)

The Daily Show also premiered what it described as exclusive footage, claiming the programme lived with Harp and the president for a month to capture what their relationship is really like. The bit blurred the line between Fielder's documentary subject and Stewart's late-night satire — both profiling powerful people who insist on their own version of reality.(Variety)

What makes the segment land is the mash-up itself. Fielder's documentary trains a camera on Elizabeth Holmes, a convicted fraud who maintained her innocence to the end. Stewart took that same lens and pointed it at a sitting president and the aide whose job is to keep flattering coverage in front of him at all times. The trailer did the heavy lifting; the substitution did the joke.

Fielder and Oppenheim released the You Can See Everything trailer earlier in 2026, and the Telluride secret screening gave it its first public airing before Stewart's monologue brought it to a broadcast audience.