Fielder Holmes Doc Draws Nearly 2M in Opening Weekend
Nearly 2 million people watched You Can See Everything during its opening weekend, according to The Hollywood Reporter.
That is a strong start for a 2-hour 55-minute documentary. The film from Nathan Fielder and Lance Oppenheim opened in theatres on 16 October 2026, according to A24.
The film is an investigation centred on Elizabeth Holmes, the founder of the blood-testing company Theranos, according to The Hollywood Reporter. Holmes gave the filmmaking team total access for the project, according to Deadline. That access puts Holmes, now a convicted fraud figure, back in front of cameras at length.
Viewers will also see a familiar face playing her. Amanda Seyfried appears as Holmes in the film, according to Variety. Seyfried previously starred as Holmes in the scripted series The Dropout.
The project began informally. Fielder and Oppenheim discussed a potential Holmes project while together at the Magic Castle in Los Angeles, during Oppenheim's visit from New York City, after which Fielder called A24's New York offices, according to The Hollywood Reporter. Separately, A24 met with Holmes after Holmes called the company seeking exposure, but the two sides did not reach an agreement.
A key early guide was Emily Osborne, who ran documentaries for A24 and helped steer the film in its first stages. Osborne was laid off last year when A24 shelved its documentary division. She remains an executive producer on You Can See Everything.
The making of the film was not smooth between its directors. Fielder said he and Oppenheim disagreed over nearly everything happening between Holmes and her husband Billy Evans. Fielder told a New York Film Festival audience last month that he was still struggling to understand what he went through making the film.
Evans has defended having the documentary made, according to Variety. The legal backdrop is also unusual. California struck down its Son of Sam law, the rule that restricted convicted criminals from profiting from their crimes.
For viewers, this means a rare direct account. Holmes speaks, her husband speaks, and two film-makers openly disagree about what they filmed.
