Sony's Spider-Man: Brand New Day posted a $927 million global opening weekend across roughly 90,000 screens, according to Deadline — and the numbers just kept climbing when the figures were broken down market by market.

In North America (domestic, meaning the United States and Canada), the film collected $360 million in its debut weekend, surpassing the previous all-time opening record of $357.1 million held by Avengers: Endgame (Deadline). The final figure beat the earlier Sunday estimates that had circulated before studios released their official Monday numbers (Forbes).

Across the Atlantic, the U.K. and Ireland turned out in force. Brand New Day opened at number one with £36.4 million ($48.9 million), the third-highest opening frame in U.K. box-office history — trailing only Avengers: Endgame ($58.3 million) and the Bond film Spectre ($55.5 million) (Variety). Measured by the pure three-day weekend — Friday through Sunday, stripping out any earlier previews — the film took $31.5 million from 716 locations, a per-site average of $44,056. That three-day launch ranks fourth all-time in the U.K., behind Avengers: Endgame, Star Wars: The Force Awakens, and Harry Potter and the Deathly Hallows: Part 2.

Premium large-format screens contributed meaningfully to the global total. ScreenX deliveries added $7.5 million from overseas venues, while 4DX screens chipped in $11.7 million (Deadline) — formats where ticket prices run higher and auditoriums sell out faster, giving a measurable lift to opening-weekend grosses.

Behind the web-slinger, the U.K. top five held familiar titles. Christopher Nolan's The Odyssey placed second in its third weekend, adding $9.1 million for a local cumulative gross of $67.7 million. Pixar's Toy Story 5 took third in its seventh frame, adding $1.4 million to reach a seven-week total of $69.7 million. Universal's Minions & Monsters landed fourth in its fifth weekend with $1 million, bringing its cume to $19.3 million. Disney's live-action Moana rounded out the top five, collecting $967,566 in its fourth week to reach $14 million (Variety).

What stands out is the spread. This was not a single-market phenomenon. The domestic record alone would have been a headline; the U.K. frame, with its top-three-all-time placement, would have been its own story. Coming together on the same weekend, across 90,000 screens, the numbers paint a picture of a film landing simultaneously in every major corridor — the kind of coordinated global release that studios plan years in advance, locking in dates and screen counts territory by territory.